An Italian photographer of elegant Himalayas

Vittorio Sella was a pioneering Italian photographer, XX. The work in the late 19th century, formed a history of mountain photography and mountaineering.

The rare images of the Himalayas remain some of the most captured iconic.

A new show in the capital of India called Vittorio Sella: The photographer of Himalayas brings wonderful greatness of Himalayas through his lens.

Hugh Thomson and organized by Hugh Thomson’s famous authors and organized by Delhi Art Gallery (DAG), the show is likely to be one of the largest collections of SELLA’s Indian views.

Kanchenjunga has photos of the third highest mountains in the world and photos of K2, the third largest mountain in the world captured more than a century ago.

Born in Biella, a town known for wool trade in northern Italy, SELL (1859-1930) made his first rises in the surrounding Alps.

“During his career, he used his skills in engineering and his father, and chemistry used his skills,” says Thomson.

For thirty years, he mastered complex photo techniques.

His panoramic images, along with technical perfection, achieved a worldwideball.

SELLA’s Himalayan truck trip started in British Explorer Douglas in Freshfield in 1899 in the Kanchenjunga traffic circulation.

Any circulation around the mountain was also included in Nepal, and that was also a closed kingdom.

While the group climbing ambitions were constantly frustrated by the rain, SELA had the opportunity to catch the snowy peaks. He was stationary with technology, testing the photos of Kanchenjung’s TV. His images took the spectators to a world of unshaved times.

A decade later, Sella arrived at new heights – both literally and artistically – 1909 expedition to K2 with the Duke of Abruzzi.

The most difficult mountains in the world are as a testament to its skills and resilience. Carrying a camera system that weighs almost 30 kg, sells traitors of landscapes by creating images that have defined mountain photography.

Jim Curran, by K2’s story: Savage Mountain’s story, “Probably the biggest mountain photographer … its name (is) synonymous with technical perfection and aesthetic finesse.”

Sella was known for his extraordinary hardness, alps crossing the significant speed despite heavy photo gears.

His camera’s camera harness and boots – are three times heavier than modern – they are preserved at the Biella photo institute.

Her clothing weighed more than 10 kg, including his camera equipment, including Dallmeyer camera, tripod, and plates, more than 30 kg, more than today’s airline luggage limits.

In the K2 expedition, Selta had about 250 formal photos with its ROSS & CO camera for four to five months; Kanchenjunga, about 200, Thomson notes.

“Modern digital rules have no extraordinary, and in the last days of analog film, it would be equated to some eight rolls, in a single mountain that the 1970s could use in a single mountain – but when he was a picture, there was a large number.

“That gave him a terrible attention and thought to each photo, because they could shoot both of the plate.”

A few years later, the famous Mount Ansel Adams Mountain photographer “would write the cleanliness of selection interpreters that leads to a religious viewer.

He came with risks of high altitude photography. Many of the most intimidation of SELT was ruined in wet conditions to stick to negatives.

However, those who survived reveal a master of an eye, Thomson notes.

“Sell was like the mountains that make up the snow in the snow.”

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