“The death of the soul of the South African storytelling” lights pain and anger

The death of a much loved star is usually an exit of grief, but the loss of the 75-year-old actor of the 75-year-old actor of the 75-year-old actor Nandi Nyembe was angry.

People were grieved in the last few months of life that a patient was reduced It appears in videos to attract financial support.

Sitting in the wheelchair with thin and gray hair, wearing a loose t-shirt and pajamas trousers, that he did not like to feel compassionate for people, but he needs money to cover the basics. His biggest line was for more work to protect himself.

This was far from more famous occurrences of his screen.

In recent decades, in the head of some important television series, his face turned to South African homes and became a well-known presence.

Mam’nandi is well known, his passage, for some, felt like loss of relative relative.

His family and the government released the tribute jointly denounced the “soul of South African storytelling”.

“It was much more than an actor, but also” broken “obstacles” and driver “, dreaming of young people and citizens outside their circumstances.”

Considering this situation, the way he appeared late in life was more moving.

Death, after a long disease, has been directed to the lack of support available to South African artists who cannot work and shines a focus on many faces behind the stages.

After a fee of initial appearance, the South African actors do not receive taxes for subsequent emissions for their work.

They work as freelancers and as a result, they cannot achieve one of possible benefits, such as pension and health coverage – that can be available to usual staff.

This means that every actor actor in this country is the essential pathway right now, “President Jackeko Devnarain, President of the South African Actors (Saga) said to BBC.

Nyembe said that he had the fights in these last videos, knowing that he was “not well finished”.

“There is no charity in the world that will solve structural problems within the creative sector.”

An actor himself, Devnarain remembered Nyembe’s Glory years, saying that he was “good and hot reception” as a young artist.

“In the case of Mam’nandi’s presence, he knew you are in front of the Viceroy of Performance.”

Nyembe was born in 1950 in Kliptown, the oldest part of Soweto – a black town outside Johannesburg. The mother was an actor and blows the dancer and his father was a boxer, according to the online publishing actors.

His family moved a lot in childhood and as a result, he grew up with “different and diverse people”, as mentioned.

The performance of his actions began in the height of the Apartheid era in the 1970s, the state legally enforced racial segregation.

With limited opportunities for black, Nyembe was mostly the role of a maid whenever he heard. South African Bona Bona said in 2017: “Differences and oppressions made me angry and I began to participate in the protest theater.”

Despite this typography, he would later go to his mark, first in the theater and then several TV shows and the 1990s.

It was the most popular among TV roles was the repetitive nature of a HIV-positive nurse in the hospital drama Soul City. Since 1994 he ran the year in South Africa’s first democratic elections and when people talked about HIV / AIDS, quickly became a national crisis.

In another well-known series of Yizo Yizo, he played a nutritious mother in a south africa municipality in a show that caught the raw realities of life.

On the big screen, the audience fascinated as Sangoma or traditional healers, in the 2004 Yesterday’s film.

“He was very passionate about his work … He lived on the outskirts of his family,” Jabulani Nyembe said.

“He was always looking for his crafts better” and “he wanted to do better,” but at the same time “he was building some other actors and actors through his work.”

Beyond the performance, it remembers someone who is willing to help others within his community and as a “family column” and “spine”.

He touched the viral video, accepting the challenges towards Nyembe towards the end of his life, before he helped his family helped as much as possible.

The actor’s guild saga has been at the forefront of encouraging legal changes to prevent similar situations.

In 2017 they entered two invoices in 2017 “The right to give the right to earn fees in south africa”, according to Devnarain.

“That’s why they are critical for the survival of the sector,” he said.

After the years back and after years, they finally ended Cyril Ramaphosa President for his signature in 2024.

Since then, the two invoices mentioned to the Constitutional Court, concerned that they can affect Enshrored elements in the Constitution, bringing reductions to copyright.

This has left Limbo pasted actors.

“Any actor in film or television should understand while you keep working, you will end your money expiring,” Devnarain said.

“The government failed in the whole sector and they failed to mam’nandi.”

In a Memorial service of Johannesburg, the actor Lerato Malese also exploded to offer more than one “Lullaby” government.

“How long should we listen to the same conferences (in Memorial services)? How long should we be the same commitments about the needs of policy structures that protect us as an actor?” asked.

Gayton McKenzie, however, moved away from a fight to criticism, saying Nyembe was alive when he was alive and the government has helped his family and is working on Saturday funeral.

“We work for day and night to change the situation of the creators, soon for their children’s care, hospital care and policies for their children. We really care about changing life,” he wrote on Facebook.

Now, of course, they are changes to NYEMBE.

Angus Gibson in the famous filmmaker, describing his enthusiasm to work in difficult times.

“In fact, it was as great as the actor, he did not protect him from the tough world,” he said.